Channel 8 is an un-programmable channel. It receives no specific data, no pixels are initialized or assigned specific forms or colours. The channel is responsive only to random flows of information.
Artists Martin Cole, Matthew Johnstone and Daif King similarly feed from streams of non-specific data. Assisted by new media and due to cycles of information alluding to the zeitgeist, their influences and inspiration form correlations.
This data is transferred into digital drawings, reworked into sound, gifs and animations, or processed into moving image. It is often then reapplied within consubstantial cyclical networks.
References are purposely vast; drawing on familiar imagery from contemporary visual culture as well as famously reproduced artworks, their production also retains a specific liking to a certain over-saturated 1980's aesthetic and is often divisive in it's referencing and reproduction of painterly abstraction.
One could speculate that some of the visual connections between these references are due to the mechanical look of certain abstract work, the 80's infatuation with the digital, the question of relevance in relation to contrasting versions of history and the question of who art is for.