Daniel Jackson explores the synthesis of computer code with human actions, engaging with the ideas propositioned by Malevich, Mondrian, Lewitt and Halley and extending a way forward for conceptual art in this century.

By controlling the parameters of the software that he has purposefully created, and with the final edit of the output, he is able to produce rigorously constructed works of art, which encapsulate modern media whether they are classed as sculpture, paintings and one off prints.